JAY STULL is a playwright, director, dramaturg, and teacher. His plays include: THE SINGULARITY PLAY (Jackalope Theatre Company, TDM Harvard, Finalist for the Alliance/Kendeda National Graduate Playwriting Competition, Finalist for the Princess Grace Award; Finalist for Playwright’s Week at The Lark), THIS IS WHAT YOU SHALL DO (Semi-finalist for the Clubbed Thumb Biennial), UNDONE (Winner of Columbia@Roundabout Prize), ANTARABHAVA (Barn Arts Residency), STREEPSHOW! (produced by The Tank at The Connelly Theater; Ars Nova’s ANTFest; Dixon Place’s HOT! Fest), 6 MO @ NH (co-written with EllaRose Chary; The Civilians, Joe's Pub at The Public Theater; ArtLab at Harvard College), and THE CAPABLES (Anna Sosenko Trust Assist Grant; produced by the Gym at Judson and the Bloomington Playwrights Project). Directing credits include: Jenny Schwartz’s AS FAR AS THE DAY GOES (Clubbed Thumb WINTERWORKS), Emily Schwend's UTILITY (The Amoralists at Rattlestick, NY Times Critic's Pick, NYIT Award for Best Production of a New Play), and TAKE ME BACK (Walkerspace, NY Times Critic's Pick), Noah Mease's OMEGA KIDS (New Light Theater Project at The Access Theater and Dixon Place), Anne Adams’s STRANGE COUNTRY (New Light Theater Project at The Access Theater), Mark Roberts's RANTOUL AND DIE (The Amoralists at The Cherry Lane, NY Times and Time Out Critics’ Picks), and NAME: by the students in Harvard's Fall 2020 production studio course, Making Horizontal Theater. Ongoing collaborations include with: David Greenspan and Ken Rus Schmoll as a dramaturg and Associate Director on Gertrude Stein’s libretto FOUR SAINTS IN THREE ACTS (Lucille Lortel at Target Margin); with Keenan Tyler Oliphant and Johnny Lloyd as a co-writer on baldwin[GIOVANNI]brando (New York Theater Workshop - Adelphi Residency); and with Crystal Finn and Ken Rus Schmoll as a dramaturg on a piece about Wittgenstein’s Philosophical Investigations, and David Markson’s 1988 postmodern novel, Wittgenstein’s Mistress. He is the former Literary Manager of The Amoralists and a former Steering Committee Member of the Literary Wing at the Lark. His work has been supported by fellowships or residencies at Yaddo, the NYTW, the NYFA/NYSCA Artist Grant in Playwriting, the Sewanee Writers’ Conference, the Lincoln Center Directors Lab, The Civilians R&D Group, and the Early Career Directing Fellowship at Clubbed Thumb. He was an artist-in-residence and visiting professor in the Theater, Dance, and Media concentration at Harvard College in the fall semester of 2020 and the spring semester of 2023. In addition to Harvard, he has taught theater at NYU-Tisch in the Playwrights Horizons Theater School and the Graduate Musical Theater Writing Program, and for the American Academy of Dramatic Art. MFA: Columbia |